
The second art historical reference in the Besitzarbeiten series was made with the new possessions and car
of the artist purchased after his entire belongings had been sold to a private collector. The resulting Annunciation takes its orientation from pictorial compositions of this theme typical of the baroque: An angel enters from above left, the Virgin Mary is taken aback, the Holy Spirit, portrayed as a dove, hovers above. A lily in the center of the composition represents Mary’s immaculateness, the car door opens to a space behind the scene like a door or window with a view to the Garden of Eden.